I try to ensure I always have the means of making a note close to hand; Evernote on my phone and tablet, a notebook and pen in my bag, a voice record option on my phone. Post-it note pads everywhere. You never know when a great idea will spring to mind! But sometimes circumstances prevent me noting a potentially blockbusting idea or plot twist, such as driving to and from work along the M25. Luckily I have had a passenger sharing many of my commutes recently; my beloved son. We were talking the other day about my novel’s progress and some of my ideas to address a plot gap I have arrived at (picture my brain sat in a ten junction M25 traffic jam!)
A Plot Breakthrough
I’m nearly half way through writing And The Buntings Flew. I know how the story will end, and the main characters are all either in the draft or captured on my timeline and characters spreadsheet. But I had a thorny issue; I need to join two major strands of my story, and this will need to involve some fairly young characters. I am also keen to include some Irish folklore in my story but in a natural, realistic manner, as befits the tone of the story and what happens to some of the main characters.
Minor spoilers ahead; my main character is a young girl living in Northern Ireland in the 1970s during “The Troubles” who (maybe!) identifies a terrorist who attacked a member of her family; she subsequently struggles to share her secret with the adults in her life. She is sent away for a short while to stay with friends, and this is the point at which events accelerate to a thrilling climax! I planned for this character (Purdey) to witness the aftermath of another violent event, and I wanted a suitable foreshadowing.
Playing with friends in a reputedly haunted house was one idea I had, based on a “real” house near my own childhood home (elements of the novel are based on my own childhood). In discussing this with my son, we veered off on a tangent to discuss Irish myths and folklore; phone in hand he was able to Google as we spoke and I told him of the Irish spirit, the Banshee. The idea of the children believing the house was haunted appealed to me, and had been mentally penciled in previously, but I only had a vague idea of the Banshee’s characteristics; we discovered that not only is she meant to be the spirit of a murdered woman who cries and wails to warn of an imminent, nearby death, the Banshee was also believed to be particularly attached to people with (Irish) surnames that have an “O” or “Mc” prefix.
This is where the synchronicity/coincidence occurred, as it has often done before when writing; the characters I have planned to be the victims of a shooting are two young brothers, whose surname begins with “Mc”. Another fact I wasn’t consciously aware of was that a possible explanation for the origin of the Banshee is the eerie, pronounced screech of the Barn Owl, common in Ireland as it hunts by night. Birds feature very prominently in And The Buntings Flew, both in terms of the plot and thematically; here was an Irish supernatural Folklore figure that might also have a prosaic, real life explanation; the screech of a bird! It fitted beautifully into the story and is an elegant segue to the next sequence of events in the story.
Feeding the Unconscious, Creative Mind
More synchronicity was in the air when I read The Creative Penn’s Joanna Penn discussing her creative writing process, in which she describes coincidence and synchronicity as almost magic or supernatural elements that commonly occur in the creative process of writing.
I think there are many reasons for this phenomenon, many of which centre around our individual and collective unconscious; Joanna Penn discusses the idea of the Jungian Archetypes (which I will visit in a future post!) but equally important I believe are the elements at work on the run up to these coincidences making their way to your conscious attention. By this I mean the process of planning and immersing oneself in a creative work; for me that consists of capturing the initial idea, making copious notes, as and when ideas spring to mind, researching just as hard as I did for my MBA dissertation, and devoting to the idea of my story a single-minded vision and attention, even when not actively writing. Travelling and visiting locations where I can carry out primary or secondary research (the location itself or resources such as museums, churches, news archives etc) are all elements in priming the unconscious to offer up these scraps of information that then seem to “magically” work for your creative endeavour.
Creative Feedback Loops
I originally had an equation as the title of this post:
This was an attempt to summarise my creative process for writing fiction; but there are other ways of stimulating the collective unconscious to offer up synchronicities, even if you aren’t able to do much external research or travel. Blogging helps me practice the art of writing, and posts such as these are a feedback loop; thinking and writing about elements of the story prompts me to read and research more, leading to more ideas and prompts, in a “virtuous circle” or creativity!
I am also enjoying my recent initiation to Twitter; I enjoy finding relevant quotes or information about my story or the writing process, and reading the thoughts and views of others; used judiciously (and not allowing it to devour all my time!), Twitter is proving another useful creative tool, as is the Pinterest board I created for And The Buntings Flew (thanks for another great idea Joanna Penn! 🙂 )
Have you had similar coincidental/synchronicitous breakthroughs with your story? I’d love to hear from you with your experience!